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Lady with Parasol
John Singer Sargent -- American painter
1900
Abbey of Montserrat
Watercolor
53 x 40 cm
Inscribed |

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Roses and Chair
Sargent's few still-lifes remained private and were surely painted
primarily for his own pleasure or perhap as detail studies for portraits.
There is a lively freedom in the horizontal roses which add to the
pleasure provided by this incandescent yellow bouquet
The chair, vase and flowers are an essay in light and texture. Sargent
imparts delicious radiance to both these works.
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Nonchaloir (Repose), 1911
oil on canvas
25 1/8 x 30 inches (64 x 76 cm.)
National Gallery of Art, Washington, D.C.
Exasperado por las demandas de sus sitters, Sargent
proclamó portraiture para ser “profesión de un pimp”
y por 1907 nunca resueltas para aceptar otra
comisión del retrato. Durante sus años más últimos,
el artista se dedicó a crear los murals decorativos
para los edificios públicos y a los watercolors de
la pintura y a las lonas pequeñas puramente para el
placer. En 1911 Sargent vacationed
con la familia de su hermana en Suiza, en donde él
pintó Nonchaloir (“nonchalance”). Un
estudio ocasional del carácter en vez de un retrato
formal, representa a sobrina Rose-Marie Ormond
Michel, a que de Sargent él apodó “Intertwingle”
debido a su ágil, las actitudes intertwined.
Influenciado por el “arte para el movimiento del
motivo del arte”, el pintor unificó el esquema de
color con la luz ambarina de una tarde perezosa. Las
líneas rectas de los mobiliarios elegantes en el
hotel suizo acentúan las pinceladas rápidas usadas
para delinear los dedos de su sobrina, el pelo, el
mantón de la cachemira, y la falda del satén.
Tarde en vida, Sargent también volvió a los
paisajes, trabajando casi exclusivamente al aire
libre. Él pasó el otoño de 1908 que relajaba en la
isla española de Majorca. Valdemosa, Majorca:
Los Thistles y el herbaje en una ladera es una
fuerza de de de viaje del brushwork de Sargent.
Contra el suelo arenoso, los toques de luz asoleados
que destellan de raíces y de ramitas crean redes
abstractas de la pintura blanca.
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Alice Vanderbilt Shepard
(Later Mrs. Dave Hennen Morris 1875-1950)
John Singer Sargent
-- American painter
1888
Amon Carter Museum, Fort Worth,
Texas
Oil on canvas
76.52 x 55.88 cm (30
1/8 x 22 in.)
1999.20 |

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Cashmere - 1908
John Singer Sargent's most enigmatic work is surely
this haunting exotic mystery. All seven figures were modelled after the
artist's youngest niece, Reine Ormand.
No one knows where this procession is going or who the figures are meant
to represent. The arrangement of the bodies, the withdrawn placement of
their limbs and the stoicism of the beautiful visible faces create a "hymn
to the power of female beauty"
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A half-smile
worthy of the Mona Lisa captures one instantly in this Sargent
masterpiece. It is a study in subtlety and a soft murmer that completely
captivates with its luscious blend of blues and violets. I sense a fully
fleshed form beneath the folds of the gown. What secret does dear Lady
Agnew hold within that beguiling pose?
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Ena and Betty, Daughters of Asher and
Mrs Wertheimer - 1901
Here is a work that totally fails on the printed page, both due to the
loss in size and the loss in texture and hue that only reality can
restore. Trust me on this. It is a prime example of Sargent knowing
exactly what moment of time to depict. The two sisters are confindently
passing by us as they enter the room at some fete. One can sense their
motion and the hedonistic pleasure they take in each others company and
the moment. There is a journalistic fluid quality about this work that
makes it immediate.
The glowing Kangxi vase on the right is a minor masterpiece itself as is
the white gown, both achieved with bold, broad and confident brush
strokes by Sargent now in his mid 40's.
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The
Fountain, Villa Torlonia, Frascati, Italy
John Singer
Sargent -- American painter
1907
Art Institute of
Chicago, Illinois
Oil on canvas
72.4 x 55.9
cm (28 1/2 x 22
in.)
Friends of American Art
Gift |
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 |
| Mrs.
George Swinton
(nee Ebsworth)
John Singer
Sargent -- American painter
1897
Art Institute of
Chicago
Oil on canvas
228.6 x 124.5 cm
(90 x 49 in.)
Wirt D. Walker Collection
Jpg: local
From: "A
Numerous and Fashionable Audience: The Story of Elsie Swinton,"
by David Greer
Posted: Wed, 30 Oct 2002
'Elsie Swinton
(1874-1966), nee Ebsworth, was a prominent society lady in
Edwardian England, who in 1906 took the unusual step (for a
person of her social rank in those days) of becoming a
professional singer, and in the years up to the First World War
she had a successful career despite family opposition. She was
also of striking appearance, and there are portraits of her by
Sargent, Sickert and others. In her singing career she worked
with well-known musicians such as Hamilton Harty, Percy Grainger
and (who was one of her many admirers). She also
kept open house to many, including Stravinsky, Prokofiev,
Szymanowski and Arthur Rubinstein. After the war, opposition
from the family and other factors led her to abandon her career
and she turned to good works and exploration of arcane
philosophies.
Although
British, she actually grew up in St Petersburg, and left vivid
accounts of life in pre-Revolution Russia.
This book is
based on unpublished memoirs by Elsie and other members of the
family. It includes an appendix of hitherto unknown lettersto
her from
--author
The books
author:- DAVID GREER
Department of
Music
University of
Durham
Palace Green
Durham DH1 3RL
GB-England
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Mrs George Batten Singing
John Singer Sargent --
American painter
c. 1897
Glasgow Museums: Art Gallery and
Museum, Kelvingrove
Oil on Canvas
88.9 X 43.2 cm.
Signed and Inscribed
across upper edge: To Mrs. Batten John S. Sargent
Jpg: Friend of the JSS Gallery
From: Matt Davies
<matt davies@jssgallery.org>
Date: Fri, 12 Jul 2002
Mrs. Batten (nee Mabel Veronica Hatch, c.
1857-1915) was the daughter of an upper-class military family, and grew
up for a time in India. There she met
and married George Batten, an older
military officer, and later they moved
to London. In 1908 she began a lesbian
affair with the author Marguerite
Radclyffe Hall. She was a talented amateur mezzo-soprano. Sargent
admired her and presented her with
this portrait.
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The
Wyndham Sisters
John Singer Sargent --
American painter
1899
The Metropolitan Museum
of Art, NY
Oil on canvas
292.1 x 213.7 cm
(115 x 84 1/8 in.)
Detalle |

The
Wyndham Sisters
John Singer Sargent --
American painter
1899
The Metropolitan Museum
of Art, NY
Oil on canvas
292.1 x 213.7 cm
(115 x 84 1/8 in.)
Signatures: [at lower
right]: John S. Sargent
BWolfe Fund, Catharine
Lorillard Wolfe Collection, 1927
The sisters are Lady Elcho,
Mrs. Adeane, and Mrs. Tennant, all daughter of the Honorable
Percy Wyndham. The painting was done in their London home on
Belgrave Square. Sargent has arranged the women so that their
mother, Madeline, is looking down upon them from the full
portrait by George Frederick Watt.
If I'm guessing their ages
correctly, Lady Elcho, would be the one on our left, she is Mary
Constance neè Wyndham (1862-1937) -- the oldest. She married
Hugo Richard Wemyss Charteris Douglas, Lord Echo in 1883. Her
brother-in-law was the Honourable Evan Charteris who did that
first biography of Sargent shortly after John's death. Mary
would have been roughly thirty-seven at the time of sitting.
Mrs Adeane, would be the one standing, she was Madeline neè
Wyndham (1869-1941) and she married Charles R.W. Adean in 1889.
He was the Lord Lieutenant of Cambridgeshire. Madeline would
have been about thirty.
Mrs. Tennant, sitting on the right and obviously the youngest,
was Pamela neè Wyndham (1871-1928). She married Edward Tennant
in 1895 and she became Lady Glenconner when her husband took
title in 1911. When her husband died in 1920, she married
Viscount Grey of Fallodon in 1922. Pamela would have been about
twenty-eight at the time of sitting.
(John Singer Sargent, Portraits of the 1890's; Richard Ormond
and Elaine Kilmurray; Yale University Press; 2002; pp 155-159)
Sargent would later draw a
sketch "mugs" of of some of their children.
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The
Wyndham Sisters
John Singer Sargent --
American painter
1899
The Metropolitan Museum
of Art, NY
Oil on canvas
292.1 x 213.7 cm
(115 x 84 1/8 in.)
Detalle |

The Black Brook
John Singer
Sargent -- American painter
c.1908
Tate Gallery,
London
Oil on canvas
55.2 x 69.8
cm
Purchased 1935
The painting is of Rose-Marie
Ormond, (Sargent's niece), daughter to Violet Sargent Ormond, (Sargent's
youngest sister).
Rose-Marie Ormond
(later
Madame Robert André-Michel)
Date?
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| An Artist in
His Studio
1904
Museum of Fine
Arts, Boston
Oil on canvas
56.2 x 72.07 cm
(22 1/8 x 28 3/8 in.)
The Hayden Collection–Charles Henry Hayden Fund
05.56
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The Pink Dress
John Singer Sargent -- American painter
1912
Private collection
Oil on canvas
53.98 x 66.04 cm (21.25 x 26 in.)
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Biografía
Galería 1
Galería 2
Galería 3
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Frescos
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Acuarela
Calidad
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