Biografía Galería 1 Galería 2 Galería 3 Galería 4 Frescos Dibujos Acuarela   Calidad Curiosidades

 

 

 

 

 

Lady with Parasol
John Singer Sargent -- American painter 
1900
Abbey of Montserrat
Watercolor
53 x 40 cm
Inscribed

 

 

 

 

 

 

Roses and Chair


Sargent's few still-lifes remained private and were surely painted primarily for his own pleasure or perhap as detail studies for portraits.
There is a lively freedom in the horizontal roses which add to the pleasure provided by this incandescent yellow bouquet

The chair, vase and flowers are an essay in light and texture. Sargent imparts delicious radiance to both these works.
 

 

 

 

 

 

 

Nonchaloir (Repose), 1911
oil on canvas
25 1/8 x 30 inches (64 x 76 cm.)

National Gallery of Art, Washington, D.C.

 

Exasperado por las demandas de sus sitters, Sargent proclamó portraiture para ser “profesión de un pimp” y por 1907 nunca resueltas para aceptar otra comisión del retrato. Durante sus años más últimos, el artista se dedicó a crear los murals decorativos para los edificios públicos y a los watercolors de la pintura y a las lonas pequeñas puramente para el placer.

En 1911 Sargent vacationed con la familia de su hermana en Suiza, en donde él pintó Nonchaloir (“nonchalance”). Un estudio ocasional del carácter en vez de un retrato formal, representa a sobrina Rose-Marie Ormond Michel, a que de Sargent él apodó “Intertwingle” debido a su ágil, las actitudes intertwined. Influenciado por el “arte para el movimiento del motivo del arte”, el pintor unificó el esquema de color con la luz ambarina de una tarde perezosa. Las líneas rectas de los mobiliarios elegantes en el hotel suizo acentúan las pinceladas rápidas usadas para delinear los dedos de su sobrina, el pelo, el mantón de la cachemira, y la falda del satén.

Tarde en vida, Sargent también volvió a los paisajes, trabajando casi exclusivamente al aire libre. Él pasó el otoño de 1908 que relajaba en la isla española de Majorca. Valdemosa, Majorca: Los Thistles y el herbaje en una ladera es una fuerza de de de viaje del brushwork de Sargent. Contra el suelo arenoso, los toques de luz asoleados que destellan de raíces y de ramitas crean redes abstractas de la pintura blanca.

 

 

 

Alice Vanderbilt Shepard 
(Later Mrs. Dave Hennen Morris 1875-1950) 
John Singer Sargent -- American painter  
1888 
Amon Carter Museum, Fort Worth, Texas
Oil on canvas 
76.52 x 55.88 cm (30 1/8 x 22 in.)
1999.20

 

 

 

 


 

 

Cashmere - 1908

John Singer Sargent's most enigmatic work is surely this haunting exotic mystery. All seven figures were modelled after the artist's youngest niece, Reine Ormand.
No one knows where this procession is going or who the figures are meant to represent. The arrangement of the bodies, the withdrawn placement of their limbs and the stoicism of the beautiful visible faces create a "hymn to the power of female beauty"
 

 

 

 

 

 

A half-smile worthy of the Mona Lisa captures one instantly in this Sargent masterpiece. It is a study in subtlety and a soft murmer that completely captivates with its luscious blend of blues and violets. I sense a fully fleshed form beneath the folds of the gown. What secret does dear Lady Agnew hold within that beguiling pose?

 

 

 

 

 

Ena and Betty, Daughters of Asher and Mrs Wertheimer - 1901


Here is a work that totally fails on the printed page, both due to the loss in size and the loss in texture and hue that only reality can restore. Trust me on this. It is a prime example of Sargent knowing exactly what moment of time to depict. The two sisters are confindently passing by us as they enter the room at some fete. One can sense their motion and the hedonistic pleasure they take in each others company and the moment. There is a journalistic fluid quality about this work that makes it immediate.
The glowing Kangxi vase on the right is a minor masterpiece itself as is the white gown, both achieved with bold, broad and confident brush strokes by Sargent now in his mid 40's.
 

 

 

 

The Fountain, Villa Torlonia, Frascati, Italy 
John Singer Sargent -- American painter 
1907 
Art Institute of Chicago, Illinois
 
Oil on canvas  
72.4 x 55.9 cm (28 1/2  x 22 in.) 
Friends of American Art Gift 

 

 

 

 

 

 

Venice par temps gris

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 Mrs. George Swinton
(nee Ebsworth)
John Singer Sargent -- American painter  
1897
Art Institute of Chicago 
Oil on canvas 
228.6 x 124.5 cm (90 x 49 in.) 
Wirt D. Walker Collection
Jpg: local
 
 
 

From: "A Numerous and Fashionable Audience: The Story of Elsie Swinton,"  
by David Greer 
Posted: Wed, 30 Oct 2002 

'Elsie Swinton (1874-1966), nee Ebsworth, was a prominent society lady in Edwardian England, who in 1906 took the unusual step (for a person of her social rank in those days) of becoming a professional singer, and in the years up to the First World War she had a successful career despite family opposition. She was also of striking appearance, and there are portraits of her by Sargent, Sickert and others. In her singing career she worked with well-known musicians such as Hamilton Harty, Percy Grainger and (who was one of her many admirers). She also kept open house to many, including Stravinsky, Prokofiev, Szymanowski and Arthur Rubinstein. After the war, opposition from the family and other factors led her to abandon her career and she turned to good works and exploration of arcane philosophies.  

Although British, she actually grew up in St Petersburg, and left vivid accounts of life in pre-Revolution Russia.  

This book is based on unpublished memoirs by Elsie and other members of the family. It includes an appendix of hitherto unknown lettersto her from
--author 

The books author:- DAVID GREER  
Department of Music  
University of Durham  
Palace Green  
Durham DH1 3RL  
GB-England  
 

 

 

Mrs George Batten Singing 
John Singer Sargent -- American painter 
c. 1897 
Glasgow Museums: Art Gallery and Museum, Kelvingrove
Oil on Canvas 
88.9 X 43.2 cm. 
Signed and Inscribed across upper edge: To Mrs. Batten John S. Sargent 
Jpg: Friend of the JSS Gallery
 
From: Matt Davies   
<matt davies@jssgallery.org>    
Date:   Fri, 12 Jul 2002  

 
Mrs. Batten (nee Mabel Veronica Hatch, c. 1857-1915) was the daughter of an upper-class military family, and grew up for a time in India. There she met and married George Batten, an older military officer, and later they moved to London.  In 1908 she began a lesbian affair with the author Marguerite Radclyffe Hall.  She was a talented amateur mezzo-soprano.  Sargent admired her and presented her with this portrait.   

 

 

 

The Wyndham Sisters
John Singer Sargent -- American painter 
1899
The Metropolitan Museum of Art, NY
Oil on canvas
292.1 x 213.7 cm (115 x 84 1/8 in.)
Detalle

 

 

The Wyndham Sisters
John Singer Sargent -- American painter 
1899
The Metropolitan Museum of Art, NY
Oil on canvas
292.1 x 213.7 cm (115 x 84 1/8 in.)
Signatures: [at lower right]: John S. Sargent 
BWolfe Fund, Catharine Lorillard Wolfe Collection, 1927
 
 

The sisters are Lady Elcho, Mrs. Adeane, and Mrs. Tennant, all daughter of the Honorable Percy Wyndham. The painting was done in their London home on Belgrave Square. Sargent has arranged the women so that their mother, Madeline, is looking down upon them from the full portrait by George Frederick Watt.
 

If I'm guessing their ages correctly, Lady Elcho, would be the one on our left, she is Mary Constance neè Wyndham (1862-1937) -- the oldest. She married Hugo Richard Wemyss Charteris Douglas, Lord Echo in 1883. Her brother-in-law was the Honourable Evan Charteris who did that first biography of Sargent shortly after John's death. Mary would have been roughly thirty-seven at the time of sitting.

Mrs Adeane, would be the one standing, she was Madeline neè Wyndham (1869-1941) and she married Charles R.W. Adean in 1889. He was the Lord Lieutenant of Cambridgeshire. Madeline would have been about thirty.

Mrs. Tennant, sitting on the right and obviously the youngest, was Pamela neè Wyndham (1871-1928). She married Edward Tennant in 1895 and she became Lady Glenconner when her husband took title in 1911. When her husband died in 1920, she married Viscount Grey of Fallodon in 1922. Pamela would have been about twenty-eight at the time of sitting.

(John Singer Sargent, Portraits of the 1890's; Richard Ormond and Elaine Kilmurray; Yale University Press; 2002; pp 155-159)

 

Sargent would later draw a sketch "mugs" of of some of their children.
 

 


 

The Wyndham Sisters
John Singer Sargent -- American painter 
1899
The Metropolitan Museum of Art, NY
Oil on canvas
292.1 x 213.7 cm (115 x 84 1/8 in.)
Detalle

 

 

 

The Black Brook 
John Singer Sargent -- American painter  
c.1908 
Tate Gallery, London 
Oil on canvas 
55.2 x 69.8 cm 
Purchased 1935 
 
 
 
The painting is of Rose-Marie Ormond, (Sargent's niece), daughter to Violet Sargent Ormond, (Sargent's youngest sister). 

 
Rose-Marie Ormond  
(later Madame Robert André-Michel) 
Date? 

 

 

 

 

 

 

An Artist in His Studio 
1904
Museum of Fine Arts, Boston
Oil on canvas
56.2 x 72.07 cm (22 1/8 x 28 3/8 in.)
The Hayden Collection–Charles Henry Hayden Fund
05.56

 

 

 

 

 

 

 

 

The Pink Dress 
John Singer Sargent -- American painter 
 1912
Private collection
Oil on canvas
53.98 x  66.04 cm (21.25 x  26 in.) 

 

 

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